Classism in Woolf and Stoppard
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A seven page paper discussing social class and its impact on the lives of characters in Virginia Woolf's 'A Room of One's Own,' 'Orlando,' and 'To the Lighthouse,' and Tom Stoppard's 'Arcadia.' The paper observes that many of Woolf's feminist arguments and all of Stoppard's intellectual ones would have had no meaning to working-class people of the nineteenth century. No additional sources.
Filename: KBclass.wps

Sir Gawain, Morte D'arthur, & The Romantic Tradition
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A 6 page paper on Sir Gawain and the Green Knight, as well as Le Morte D'arthur by Thomas Malory. The paper argues that both works are romances, although they reflect the tradition in different ways; the medieval romance genre is defined, and then both stories are analyzed to show how they fit the tradition. Bibliography lists two sources.
Filename: Gawainmd.wps

Shakespeare Put to Music
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A 5 page paper which examines the whether or not the musical works of Verdi's 'Macbeth' and 'Otello' ('Othello'), Mendelssohn's incidental music for 'A Midsummer Night's Dream,' Tchaikovsky's fantasy overture and incidental music for 'Hamlet,' and Cole Porter's 1948 musical, 'Kiss Me, Kate' (based on 'The Taming of the Shrew') capture the quality and mood of the Shakespeare plays which inspired them, or merely echo their plots. Bibliography lists 7 sources.
Filename: TGmusic.rtf