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Papers On (Mass) Media & Broadcasting
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Martin Block & Music Radio
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A 10 page paper discussing the influence that Martin Block had on the evolution of music radio in the US and the ways in which the role of the disc jockey have changed. Martin Block coined the term disc jockey after he suggested in 1935 that his radio station play recorded music as they waited for news of the Lindberg kidnapping trial, creating an industry. Today's disc jockeys tend to meet the stars as the fans do, but music hopefuls in Block's time auditioned for him and his colleagues. Today's disc jockeys are only slightly more privileged than the fans and their listeners, and no longer possess any of the powers of the past. Bibliography lists 8 sources.
Filename: MBlock.doc

Programming & Format On Four Major NY-Area Radio Stations
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This 14 page paper comparatively examines the music, theme, programming, format, and demographics of four radio stations broadcasting in the greater New York City area. Specifically discussed are : WBGO, WQHT, WWRL, and WLTW. The writer is primarily concerned with listener statistics and the relevance of budgeting efforts to what is actually played on the air. The 4 stations analyzed each appeal to a different market. All information was found in brochures & pamphlets requested from the individual radio stations. (Not Available).
Filename: Radiosta.wps

Radio's Format Changes
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A 5 page paper discussing the format and content changes radio has undergone since its earliest days. Before the advent of the program manager, disc jockeys were in total control of what they did on the air as long as it was within FCC and the station owner's guidelines. Talk was live; music was recorded in the middle age, but radio shows have been increasingly recorded over the years. There is a trend of some to return to more of the live programming common only a few years ago, but some even offer fully prerecorded shows, breaking into the recording only for the hourly news. Bibliography lists 4 sources.
Filename: Radiofor.wps


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